Archive for the ‘Music’ Category

Two mother songs

May 19, 2013

From a posting that started with the shapenote song Family Circle (#333 in the Sacred Harp, Denson Revision):

At shapenote singing on Sunday (which was Mothers Day), we sang a fair number of songs with mother in their texts. Some are decidedly odd, but one was an old friend, Family Circle (the music is included in my posting on “Come Thou Fount”; “And rejoice, O my mother” is in the chorus).

On to two of the odd songs: the sentimental The Dying Boy (#398) and the touching The Bride’s Farewell (#359b) — two songs that are very rarely sung.

(more…)

Idiomaticity

May 18, 2013

Today’s Pearls Before Swine:

The idiom golden throat ‘a widely admired singing or speaking voice’ is both metonymic (throat for ‘voice’) and metaphorical (golden ‘like gold in value’), but it’s complex enough that someone could not see that. Rat, of course, just turns things to his own ends.

(more…)

half the Beast, the neighbor of the Beast

May 15, 2013

At shapenote singing on Sunday (which was Mothers Day), we sang a fair number of songs with mother in their texts. Some are decidedly odd, but one was an old friend, Family Circle (the music is included in my posting on “Come Thou Fount”; “And rejoice, O my mother” is in the chorus). Family Circle is 333 in the Sacred Harp, the book we sing from, and I remarked that this was half the number of the Beast.

Singer Terry Moore was entertained by that, and passed on to me a song by folksinger Mark Graham entitled “The Neighbor of the Beast”. The singer tells “a story that the Bible never told”, about living on a winding road in The City (the one that has 12 gates to it), at number 667 — the neighbor of the Beast. Yes, the Beast with seven heads (now with a kid, little 333). The Beast is an annoying neighbor, playing Motorhead and Judas Priest at high volume into the night and consorting with the Whore of Babylon; the singer wonders why the guy can’t sometimes play some decent country music.

(more…)

Dream weirdness: the song

April 16, 2013

As a follow-up to the Zippy on weird dreams, here’s the lyric masterpiece in the genre, Gilbert & Sullivan’s “Nightmare Song” from Iolanthe:

The lyrics, in quatrain verses with the rhyme pattern A B C B (with internal rhyme in most of the first and  third lines, and then a burst into rhymed couplets as it rushes towards the end);

Love unrequited robs me of me rest;
Love, hopeless love, my ardent soul encumbers;
Love, nightmare-like, lies heavy on me chest,
And weaves itself into my midnight slumbers…

When you’re lying awake with a dismal headache
And repose is taboo’d by anxiety,
I conceive you may use any language you choose
To indulge in, without impropriety;

For your brain is on fire, the bed-clothes conspire
Of usual slumber to plunder you:
First your counter-pane goes, and uncovers your toes,
And your sheet slips demurely from under you;

Then the blanketing tickles, you feel like mixed pickles,
So terribly sharp is the pricking,
And you’re hot and you’re cross, and you tumble and toss,
‘Til there’s nothing twixt you and the ticking.

Then the bedclothes all creep to the ground in a heap,
And you pick ‘em all up in a tangle;
Next your pillow resigns, and politely declines
To remain at its usual angle!

When you get some repose in the form of a doze,
With hot eyeballs and head ever aching,
Your slumbering teems with such horrible dreams
That you’d very much better be waking;

For you dream you are crossing the channel, and tossing
About in a steamer from Harwich,
Which is something between a large bathing machine
And a very small second class carriage,

And you’re giving a treat (penny ice and cold meat)
To a party of friends and relations,
They’re a ravenous horde, and they all come aboard
At Sloane Square and South Kensington stations.

And bound on that journey, you find your attorney
(who started this morning from Devon);
He’s a bit undersized and you don’t feel surprised
When he tells you he’s only eleven.

Well, you’re driving like mad with this singular lad
(By the by, the ship’s now a four-wheeler),
And you’re playing round games, and he calls you bad names
When you tell him that ties pay the dealer;

But this you can’t stand, so you throw up your hand,
And you find you’re as cold as an icicle,
In your shirt and your socks (the black silk with gold clocks)
Crossing Salisbury Plain on a bicycle.

And he and the crew are on bicycles too,
Which they’ve somehow or other invested in,
And he’s telling the tars all the particulars
Of a company he’s interested in;

It’s a scheme of devices, to get at low prices
All goods from cough mixtures to cables
(Which tickled the sailors) by treating retailers
As though they were all vegetables:

You get a good spadesman to plant a small tradesman
(first take off his boots with a boot tree),
And his legs will take root, and his fingers will shoot,
And they’ll blossom and bud like a fruit tree;

From the greengrocer tree you get grapes and green peas,
Cauliflower, pineapple and cranberries,
While the pastry-cook plant cherry brandy will grant,
Apple puffs, and three corners, and banburys;

The shares are a penny and ever so many
Are taken by Rothschild and Bering,
And just as a few are allotted to you, you awake
With a shudder, despairing…

You’re a regular wreck
With a crick in your neck,
And no wonder you snore
for your head’s on the floor
And you’ve needles and pins
From your soles to your shins,
And your flesh is acreep
For your left leg’s asleep,
And you’ve cramp in your toes
And a fly on your nose,
And some fluff in your lung
And a feverish tongue,
And a thirst that’s intense
And a general sense

That you haven’t been sleeping in clover;
But the darkness has passed, and it’s daylight at last!
The night has been long, ditto, ditto my song,
And thank goodness they’re both of them over

sugar daddy

April 9, 2013

From the Castro Biscuit site on 4/3/13:

Only in the Castro Moment of the Day: Straight Dude Seeks Mentor Daddy (by Walyde Palmer)

Making my way home through the Gayborhood I chanced upon a sight not likely seen in to many other places in the world other than SF’s Castro: a married, straight dude holding a sign announcing he seeks a succesful(sic) Sugar Daddy for help and advice.

I’ll talk about the compound sugar daddy in a while, but first more of the story, which focuses on the matter of sexuality. (Hat tip to Ned Deily.)

(more…)

Two great dames

March 12, 2013

During the early morning, my iTunes randomly produced one piece from Barbara Cook’s 2001 Carnegie Hall concert Barbara Cook Sings Mostly Sondheim and one from Elaine Stritch’s 2001 one-woman show Elaine Stritch at Liberty. Two great dames of musical theater (not grandes dames, but great dames, as in “There Is Nothing Like a Dame”). Cook’s show has some talk about her career; Stritch’s has quite a lot. Both are wonderful.

(more…)

An English teacher

January 4, 2013

In the background, my random iTunes produced Chita Rivera singing “An English Teacher” from the original Broadway cast album of Bye Bye Birdie. A little masterpiece: the earnest middle class aspirations of Rivera’s character Rosie; the complex angularity of the text-tune relationship (lyrics by Lee Adams, music by Charles Strouse);  the extraordinary performance by Rivera (I have now listened to another dozen versions, and nothing comes close to the first Rivera). I tried to find a YouTube version of the cast album, but no dice; instead, something even better: Seth Rudetsky deconstructing Rivera’s performance of this first number in the show, here.

(more…)

Tiptoe

January 3, 2013

Today’s Zippy has our hero producing yet another burlesque of popular music (for a survey of burlesques, parodies, and playful allusions on this blog, look here):

The song is “Tiptoe Through the Tulips”, made famous by the Tiny Tim performance of it on the ukelele (hence Griffiths’s title “Tiny Whim”) in the 1960s.

(more…)

Gay Santas

December 30, 2012

(Holiday silliness, gender and sexuality, but not much language. Risqué but not actually X-rated.)

For the sixth day of Christmas, Daddy Kissing Santa Claus. I’ll get to that soon, but first a few of this year’s crop of hot guys in Santa gear (but minus Daddy).

(more…)

Praise singing

December 28, 2012

(About music rather than language.)

This morning’s coming-to-consciousness music on my iTunes was the moving and joyous Sacred Harp song Bridgewater (276 in the 1991 Denson Revision), as sung at the 1999 United Sacred Harp Convention (one of seven versions I have of the song). It’s a simple tune with a fine fuguing chorus giving the effect of banks of trumpets sounding praise. Words by the prolific hymnwriter Isaac Watts, text by Lewis Edson (1748-1820), one of America’s first composers; according to the Wikipedia entry,

He began working as [a] blacksmith, but soon after became a singing master and was a notable singer in his day.

His settings (including Lenox (SH 40) as well as Bridgewater) were published in the collection “Choristers Companion” in 1782.

(more…)


Follow

Get every new post delivered to your Inbox.

Join 169 other followers